The red taillights of the Testarossa bled into the neon haze of the 1986 Los Angeles night, but for the driver, time had ceased to be linear. It was 2013, or maybe it was forever. Inside the cabin, the air smelled of ozone and expensive leather, vibrating with the lossless, crystalline pulse of
For an album so heavily layered with analog synthesizers and bit-crushed percussion, the format makes a massive difference. Searching for the version is about preserving the "heaviness" of the production.
The album follows a campy, supernatural narrative: a teenager crashes his Ferrari Testarossa in 1986 and reappears in 2006 as a music-producing zombie. This lore is bookended by "Prelude" and "Endless," setting a tone that feels like a "16-bit swagger" soundtrack for a lost Michael Mann or John Carpenter film. Track Highlights
The red taillights of the Testarossa bled into the neon haze of the 1986 Los Angeles night, but for the driver, time had ceased to be linear. It was 2013, or maybe it was forever. Inside the cabin, the air smelled of ozone and expensive leather, vibrating with the lossless, crystalline pulse of
For an album so heavily layered with analog synthesizers and bit-crushed percussion, the format makes a massive difference. Searching for the version is about preserving the "heaviness" of the production. Kavinsky - OutRun -2013- -FLAC-
The album follows a campy, supernatural narrative: a teenager crashes his Ferrari Testarossa in 1986 and reappears in 2006 as a music-producing zombie. This lore is bookended by "Prelude" and "Endless," setting a tone that feels like a "16-bit swagger" soundtrack for a lost Michael Mann or John Carpenter film. Track Highlights The red taillights of the Testarossa bled into