, the band focused on high-impact singles and international touring. Mimi Kajiru Shinuchi

Before the polished chaos, there was Rock Imo . This is the band’s first mini-album, and in FLAC, you hear the raw, untamed aggression that would later be refined. Tracks like “Rock Bankuruwase” and “Lie” are rawer than their later work, featuring less pop production and more hardcore grit.

The decade began with a foundational shift in the band's identity. Following the departure of early members, drummer Nao Kawakita recruited her brother, Maximum the Ryo-kun, on guitar and vocals, alongside bassist Ue-chang. This lineup solidified the band's unique vocal trio: Daisuke-han’s abrasive screams, Ryo-kun’s melodic and rap-infused vocals, and Nao’s pop-influenced singing. Hō (2001) & Mimi Kajiru (2002):

. This period covers their transition from independent punk roots to a major label powerhouse. Included Albums & Major Releases (2001–2011)

It wasn't just a folder. It was an urban legend.