Before the advent of massive multi-gigabyte sample libraries, music producers relied heavily on hardware workstations like the Triton or Motif. Hypersonic was Steinberg’s answer to this hardware dominance. Its primary goal was versatility. Version 1.0 introduced a multi-timbral engine that allowed users to load up to 16 different sounds simultaneously, making it an all-in-one solution for sketching entire tracks within a single VST instance. Technical Innovation and Sound Engine
