Transangels 24 07 12 Jade Venus Brittney Kade A... -

: Also credited as Leilani Lei, she completes the trio for this specific December 2024 release. Key Performance Highlights

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The interplay of these disciplines creates a synesthetic experience—where sight, sound, movement, and code co‑exist in a single, evolving ecosystem. : Also credited as Leilani Lei, she completes

“Angel‑Migration” is a recurring motif. The term is borrowed from ornithology (the migration patterns of birds) and re‑imagined as a metaphor for personal and cultural migration. The collective has mapped their own journeys (geographic relocations, gender transitions, artistic evolutions) onto a stylized world map projected onto the floor of the exhibition space. Visitors can step on a country and trigger a short audio vignette describing a specific moment of transformation. The interplay of these disciplines creates a synesthetic

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The five primary collaborators—, Venus , Brittney , Kade , and A —each bring a distinct artistic vocabulary, yet they share a commitment to questioning fixed categories of gender, ethnicity, and medium. Below is a snapshot of their contributions up to the present moment.

| Artist | Background | Signature Medium | Role in “TransAngels” | |--------|------------|-------------------|----------------------| | | Afro‑Latina performance artist; trained in contemporary dance and spoken‑word poetry. | Site‑specific installations, kinetic choreography. | Choreographs “Angel‑Migration” sequences that use movement to map personal migration stories onto abstract sky‑maps. | | Venus | Self‑identified trans‑nonbinary visual designer; former graphic novelist. | Mixed‑media collages, digital glitch art. | Designs the visual lexicon—iconic wing motifs, color palettes that shift with each chapter of the narrative. | | Brittney | Sound‑engineer and experimental musician, with roots in house music and field recording. | Immersive soundscapes, modular synth rigs. | Crafts the auditory “halo” that surrounds each performance, layering archival radio clips from 2012 with live improvisation. | | Kade | Queer poet‑activist, also a community organizer for trans rights. | Spoken‑word, micro‑theater, interactive workshops. | Writes the narrative “script” that ties the individual vignettes together, often performed live in public squares. | | A (initials only) | Multidisciplinary coder/AR developer, prefers anonymity to keep the focus on the work. | Augmented reality overlays, generative AI visuals. | Provides the tech scaffolding: AR lenses that let audiences see “angelic data streams” when they point their phones at the installation. |