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Her subsequent choices— Ready (2011), Housefull 2 (2012), Bol Bachchan (2012)—cemented her status as the queen of the masala entertainer. In the context of , these films were not high art; they were efficient, loud, and commercially invincible. Asin understood the algorithm of popular media before algorithms existed: give the audience a heroine who can laugh, fight, romance, and dance in equal measure.